the unbearable brightness of being

white slip I

white slip VI

I’ve been mired in a phase of dreamy, romantigothic lingerie-inspired fashion. Lately it seems that the ambiguity of pastel folds just has more to say than anything sharper and stricter-bodied. Like there’s a secret embedded in each lacy layer.

Also, I just really really enjoy being a flapper.

white slip IV

I’m watching this blog inexorably become about more than just aesthetics, and that feels right. First and foremost, I like to think. I like to create. Fashion happens to be the point at which all my creations coalesce – because, I think, its relation to its audience is so immediate. It draws the eye with physical beauty, then seduces the brain into staying for the story. I love that clothing, the semiotics and theatrics of it, operates on multiple levels. On the one hand, it’s a statement on history and perspective and the thousands of tiny events informing the creation of a single garment. On the other, maybe that’s just some really really pretty lace.

I’m a writer, a haunter, a witch, a feminist, a lover of logic and debate, an amateur scholar of religion. Curating my collection of eye-catching clothes is the locus around which my other passions gather. I love clothing because I can make it say any damn thing I want. I can use it as a segue to say something about poetry, witchcraft, feminism, spirituality, or all or none of the above. I can connect my getups to anything or to nothing. Sometimes the sheer amount of things in the world really cows me. There’s so much to learn about and puzzle over and recoil at. Ultimately, fashion (and all art, really) is not exempt from the world: it’s just one corner of some grand exhilarating web. It’s so much more rewarding when we can make some sense of where it came from and what it’s trying to say.

(Or it might just be a really kickass dress, nothing more. That’s the other great part: sometimes a cigar really is just a cigar, and we as art-consuming masses get to decide when that is.)

Expect more poetry from me. Expect more stories and political commentary and spiritual affectation. I believe that all arts are connected deep in some expressive place. Fashion is much more than the clothes on our collective back: it’s how we live.

white slip VII

white slip V

white slip IX

This look, to me, says “pajamas for day(s)”. It’s just sturdy enough to pass public muster, but all the elements of sleepwear are there: the slip, the oversize blouse worn like a robe, the slippers. The fascinator pulls the look into daytime.

I love how bright and airy these photos turned out. Photographing white can be risky, and I’d like to get better at it, but I do like this slightly ethereal, slightly eye-searing effect.

white slip VIII

white slip III

white slip II

I usually don’t go for big, ostentatious bags (I carry enough tension in my shoulders already), but I couldn’t resist this one. I love the Moulin Rouge-esque pop it gives my flapper garb.

white slip X

white slip XI

Slip, Shoes, & Bag: Battery Street Jeans Tights & Blouse: Gifted Fascinator: Old Gold Necklace: Family heirloom

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