fairy-tale feels

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I saw Frozen a couple weeks ago with my friend Savannah. As a connoisseuse of classic Disney, I am always keen to see how the modern renditions compare. I enjoyed how The Princess and the Frog toed the romantic line and more or less adhered to its time period (albeit in a highly glossed-over way, but hey) while sneaking in subtle messages of empowerment. While I don’t necessarily believe that children’s media should always have a positive message (some of the most powerful stories don’t have happy endings, and I don’t think we should insulate kids from that), it’s really interesting to see just how far the fairy-tale medium can stretch. How can you be as true as possible to the original material while making it more accessible to the modern-day sprog? Can you maintain the original message even with the morals updated? I think you can. Shout-out to my lover Joseph Campbell: you can find the hero’s journey in basically anything, no matter how contemporary (or not).

Anyway, I really liked Frozen. Disney animation will never be what it was, but I’m making my peace with that. For 2013, Frozen is a top-quality Disney film. For one thing, it stars my girl Idina Menzel in a role actually quite similar to the one I fell in love with her in. Elsa, like Elphaba, is a proud isolate. And she’s fairly morally ambiguous, which is awesome for Disney. Give the young ‘uns some deductive credit, why don’t you. Also, Disney blatantly lampshades itself in the form of Kristoff: “Why would you get engaged to someone you’ve only known for a day?”

Sooo…I decided to Nordic it up. Wintry pattern mixing, a Currier & Ives backdrop, and a touch of bright. I imagined myself as a contemporary citizen of Arendelle*, relishing Elsa’s legacy and snuggling with my pet reindeer.

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*Walt Disney’s grandfather was named Arundel. Coincidence? More like LIZARD PEOPLE.

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Dress: Savers Sweater: Classy Closet Hat, Shoes, & Scarf: Gifted Tights: Old Gold

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