Cindy won’t forget herself that easily. You don’t spend two decades scrounging scraps and counting every moment of peace only to slide painlessly into luxury. Cleanliness feels too naked, finery too bright. Trust doesn’t come so fast, not even for Prince Charming. Too many nights she finds herself pulled hearthward, hypnotized, drawn to some semblance of her old life.
Lace doesn’t go with ashes. She aches for a way to hide.
I love fairy tales. I hope that’s obvious by now. I love the archetypes inherent in them. Their demonstration that humans have always been the same. More than that, I love how many ways exist to twist and queer and bastardize them. The goth in me doesn’t want to let anyone have a happy ending.
How much sense does it make for Cinderella to sail right into royalty without even a nod to her crippling PTSD? Exactly none. Part of her probably wishes she still slept beside the cinders every night. She knows embracing her new life is the clearest way forward, but she can’t let go of the rags and ash.
Under her gold and lace, she still wears that filthy frock close against her skin.
At least as a slave she was Someone. Now she is Other.
Dresses, Shawl: for sale at Downtown Threads Mask, Pearls, Ring, Belt: Gifted
It’s not Halloween without a little Voltaire. You’re welcome.
Welcome to my second costume tutorial for Downtown Threads! My goal with this project is to design my own versions of a few classic costume ideas. Yesterday I wrote about my obnoxiously literal take on the French maid. Today I’m putting a conceptual spin on a Halloween staple: the raven.
Too many animal costumes resort to big honking masks and bulky fur suits. I’ve never found much excitement in exact duplication. As you saw in yesterday’s post, I much prefer to costume the idea of something. I might not literally resemble a raven, but I resemble the common cultural shorthand of what ravens represent: mystery, cruelty, seduction.
Basically, I like designing costumes that look like outfits and outfits that look like costumes. There’s so much more overlap than many people realize. It’s why I love designers like Westwood and Schiaparelli. This costume would work pretty well at a black-tie event. And most of my everyday outfits look at least a little like Halloween costumes. There’s history and semiotics in everything.
To symbolize the cruelty and indifference commonly associated with ravens, I used this earpiece as a breastplate and layered the necklace over it. My raven proudly wears effects – a skull and a wing – from members of her own species. I might as well wear a bracelet of human teeth.
My other goal with this look was a sexy costume for those who’d rather not show skin (or are just too damn cold to do so. Let’s be real; it’s OCTOBER). Not that there’s anything wrong with wearing a micromini, but it’s sure as hell not the only way to turn someone on. This costume is sexy in a menacing, I’m-gonna-eat-your-heart-for-breakfast kind of way. It’s always interesting to witness the marriage of sex and death, especially at this time of year.
Remember that all these pieces will be for sale within the next few days! If you’re inspired by my costumes and want to steal them for your lovely self, check out Downtown Threads on Church Street.
Dress, Shawl, Necklace, & Earpiece: for sale at Downtown Threads Fascinator: Battery Street Jeans Mask: Homeport Shoes: Dirt Chic Tights: Sox Market
Earlier this month, I approached Downtown Threads about doing a series of costume tutorials. They loved the idea. I currently have a whole chairdrobe of loaner clothes languishing in my bedroom. Until Halloween, I get to borrow interesting/eccentric/eyesore-tastic clothes from their main store and have my costumey way with them. I get blog traffic, and Downtown Threads gets free promotion. A win-win if I’ve ever seen one.
With two weeks to spare ’til that day of days, the first post drops today. Behold my own painfully literal take on a classic costume: the French maid.
This dress reminded me instantly of a French impressionist painting. It got me excited to design a concept rather than a character. I did some research into the artistic dress movement and discovered that this dress fits it not only symbolically but more literally as well: its structure and texture are very much in keeping with the loose, muted, medieval-inspired dresses of the pre-Raphaelites and their ilk. I love it when pieces work on multiple levels.
For accessories, I turned to staples of the Impressionist period: summery hats, gold jewelry, and heeled shoes with narrow toes. The white tights have little historical precedent, but I think they still work. Most of the time, I’d rather capture the feeling of an era than go for strict accuracy.
I’ve been meaning for years to get into the Society for Creative Anachronism. My friend Holly promises to drag Josh and me to an event sometime this winter. I need some motivation to refine my knowledge of historical dress. I can date pretty much anything from 1900 on, but I’m ashamed to say I’m utterly lost in older times.
My hair would probably scandalize the entire Society, though. Holly says they’re sticklers. I really enjoy having a few obviously-not-vintage things about me, though. My hair, my tattoos, the stud in my nose. It keeps my costumes fresh. No matter how timeless the rest of my look, there will always be something that breaks the flow. And I’m all about shocking people out of their collective comfort zone.
Dress & Shawl: Currently for sale at Downtown Threads Bangles: Old Gold Hat: Gifted Shoes: Goodwill Tights: Sox Market