victoriana

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This was supposed to be a steampunk outfit, but it ended up more “1940s train traveler”. Ah well. I love it anyway. And what better to pair it with than this short story? It’s sort of based on Chekhov’s “The Bet”, which I read when I was 10 and which proved very formative to my literary sensibilities.

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Let me first whet your palate with the mention of Dr. Lucius von Schroeder. It is with a bowed head and a mist in mine eye that I recount his fate. Not I, nor the beings ingrained within this volume, shall pass judgment should you choose to turn your dear faint head away.

Von Schroeder was only a boy. I shouldn’t have nursed his whims so. Then again, bravado had thrilled him since his first beard. It was writ epic in his nature. Who was I to stand in his God (or whomever)-given way?

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Von Schroeder craved beginnings and feared their ends terribly. He spoke of new dawns and advances yet unseen with besotted rapture. I don’t think his early days in the seminary had ever really quit him. He spurned the Church too vocally, too frequently, as though expunging whatever kernel of faith yet remained. He swore fidelity to science through and through, but I knew better. One night, when the walls seemed thin as ash and wind whipped our meager quarters, I heard the young man pray.

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How life itself ran riot through him! “Ashes to ashes,” he crowed. “Why, you and I are naught but stardust. Think of all we’d accomplish by truly realizing such infinite life. What is a man but his insistence on his own humanity? O, but what wonders we could channel if we’d stop clinging so.”

Lucius lusted faithfully after the ends of the earth. His need for transcendence, for taxonomy greater than his in creation’s kingdom, seemed to dog him with equal parts arousal and anxiety. Were I an insect, carrying discernment in the pads of my feet, I’d have seen the struggle writ subtle on his keen face. The epic of a man who’d abandoned God wrestling his own desire for holiness.

I watched him grow fevered and fevered further. I heard his prayers that weren’t prayers, whispered below breath as he worked. I didn’t recognize his deities. I did not understand his crosses to bear. In his private moments, he stood at a crux between two worlds I would never know.

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I was blind to what truly lay before me until the day my ward summoned me to his bedside. He was pale, but far from enervated; he was lit, incandescent, by the same godforsaken stardust that gripped him so. It hit me: he’d been a little less man each day. A little more spirit. Lucius was ash and wind and his own corner of Armageddon. He wasn’t meant for this world.

“My boy?”

“Professor Crowe, I’ve long known what I have to do. When you return to work, you’ll find your arsenic depleted. Once I have gone, please replace it with any money my earthly possessions will fetch you. It’s the least I can offer. But in the time I have left, there’s one thing I need.”

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He paused. Theatrics always did run deep in Lucius. “Collect my final breath, Professor. Let it ferment. Let whatever cursed thing called me home finally show its face. I will not live to see what multitudes I truly contain.

But you will.”

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I buried a man half my age with a heart twice as heavy. I drafted notes to his family only to remember he had none. The hastily corked bottle containing his final earthly statement dogged me all the while.

And then, my friend, my dear blameless boy, I let it go.

That little carafe exhaled your remains into a world never meant for them. I felt the air itself recoil. And I hung my head in shame.

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But what else would I have done? For all my dedication to this world’s more sordid wonders, I was cowed by something so ineffable. You see, I hunt the darkness in corners long forgotten. I was not prepared to find it in man.

~

Dress & jacket: vintage, via brick-and-mortar store

Boots: vintage, via eBay

Everything else: thrifted

steam for a day

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Despite having always claimed not to like puns, I have a mother and a partner who both spout them ad nauseam, and I fear they’ve rubbed off irrevocably. So that’s how I’m ending up with titles like “steam for a day”. BLAME THEM.

On that note, my partner Josh has always been what we in the industry fondly dub “balls-deep in steampunk”. Seriously, it’s to the point where he’ll arrive at a party in his top hat and goggles and be told “dude, you were supposed to wear a costume.” It’s for that reason that I’m often a little skittish about wearing steampunk, despite its fanciful trappings. I’m not sure whether it’s our six-year age difference or just my own neuroses, but I have this hang-up about being seen as his sidekick or protégée. I’m nobody’s puppet. But that’s a pathetic reason to avoid something. It’s still being guided by others’ opinions, just in an inverse way.

I actually felt way more comfortable in this style than I thought I would. Steampunk is just so damn brown. I like color, color, and more eye-searing color. But I kind of love this rendition. I mean, I’m wearing a fit-and-flare dress with a petticoat, plus an enormous hat. Tell me again why I didn’t get into this sooner?

Outfit partially inspired by Abney Park’s “Throw Them Overboard“. At last month’s cabaret, one of the dancers performed a number to it, featuring a stuffed octopus glued to her ass. Because of course.

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steam-powered witch

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I wrote yesterday about my latest inspirations and the way I’ve been integrating them into my daily style. Today I’m illustrating what that actually looks like. This is a far primmer silhouette than I favored earlier this fall, when I was swishing about in cloaks and peasant skirts. The past few weeks, I’ve been all about crispness and crinolines.

I’ve also found myself influenced by Josh’s aesthetics. The man is unendurably steampunk. He wears top hats and white gloves on the regular. Sometimes I like to be his female counterpart in more ways than one. I appreciate our contrasts, but I also like it when we match. Today I attempted to combine our respective styles: I’m a witch, done fluorescent steampunk style. I went for steampunk silhouettes, but rendered in aggressively mod colors.

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Why choose between a broomstick and a parasol?

I’m not sure how I feel about the contrast between the wall and the grass. It doesn’t look stylized or deliberate enough. It’s too incidental, like I didn’t give enough of a shit to find a cleaner setting. Then again, this entire outfit is a study in contrasts. Why not one more?

Nevertheless, I’ve been thinking of investing in some studio space one or two days a week. I could haul a trunk of props and hammer out two or three different shoots in a place I could design to my specifications. Does anyone in the Burlington area know where I might find such a thing?

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Dress: Handed down from Mom Crinolines, Tights, & Gloves: Spirit Halloween Coat: Macy’s Hat & Necklace: Old Gold Boots: Battery Street Jeans

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I go back to Burlington the day after tomorrow. Out in the boonies, I haven’t been leaving the house much. Today, though, I went out poetry slamming, so I had an excuse to doll myself up.

I’m really not comfortable unless I’m dressed up. Tossing my shoes and slipping on yoga pants is an earned pleasure after a day of tights and bangles, embodied for a few hours at the end of the day. It’s never a constant. I can’t spend more than a day in pajama pants. It feels like taking canvas from a painter.

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This is a blouse/vest combination I used to wear in high school (usually in a costumey context, funnily enough). I must’ve been a senior last time I wore it, and I didn’t fill out the vest even remotely. It looked pretty masculine. I love how close it fits now. I referred to this concept a few posts ago: the contrast between a masculine outfit and a feminine fit.

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I didn’t crop these two because I think the background fits really well.

Anyone notice my hair is two inches shorter?

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Blouse & Vest: Bag sale Skirt: Battery Street Jeans Boots: Handed down from Mom Tights & Jewelry: Christmas